Friday, February 26, 2010

POP IN TOMORROW FOR THE PRINCESS OF POP-UPS

Tomorrow at 1pm we invite you and your whole family to join us for an afternoon with acclaimed designer, illustrator and paper engineer, Mary Beth Cryan.
You will hear about and see examples from her career including pieces designed for Target, MoMA and others. And then you will get to make your very own pop-up card designed by Mary Beth. Don't miss this great event.

Here are just a few pieces to give you an idea of what great work Mary Beth does...








Thursday, February 25, 2010

THIS SATURDAY IS MEMBER APPRECIATION DAY

This Saturday, February 27th is Member Appreciation Day at Philbrook Musuem. Please come and spend the day or just drop by so we can say Thank You for being a member!
We’ve planned a few special activities just for you, including

10:00 am Organ Concert in the Great Hall of the Villa with Jeanette Maxfield.

11:00 am Singular Impressions gallery talk with Tanya Paul, Ruth G. Hardman Curator of European Art, in the Works on Paper Gallery on 2nd Floor. A selection of prints by major European artists including Pierre-Auguste Renoir and Pablo Picasso, these works illustrate the artistic developments that marked the rise of modern art.

11:30 am Find out why The Adkins Collection is celebrated as one of the finest private collections of art of the Southwest ever assembled. Explore highlights and learn the details with Christina Burke, curator of Native American and Non-Western Art on the Mezzanine.

1:00 pm Mary Beth Cryan, the Princess of Pop-ups will give a presentation in the Patti Johnson Wilson Auditorium. Afterwards, Mary Beth will conduct a fun family “make your own” pop up activity downstairs in the studios.

And, as a way to say “thank you” for your support, through out the day you can enjoy:
· Complimentary cookies, coffee and punch in the Rotunda.
· Extra 10% discount in the Museum Gift Shop.
· Door Prize drawings all day in the Rotunda. (Need not be present to win).
· Grand Prize drawing at 4:00 pm for a ticket to the Philbrook Wine Experience Fleming’s


Grand Wine Tasting on Saturday, May 1, 2010.

Wednesday, February 24, 2010

MAKE YOUR OWN POP-UP

This Saturday at 1pm we will be hosting an event with the Princess of Pop-ups, Mary Beth Cryan.
Mary Beth, whose work is available through Target, Barnes & Noble, MoMA and others, will talk about her work, show some examples and lead us in an activity in which we will make our very own pop-up cards.

This event is FREE with museum admission. Bring the whole family and have a great time!






Tuesday, February 23, 2010

MORE SELECTIONS FROM OUR SKETCHBOOKS

Every now and then we like to share some of the notes, drawings and doodles we collect in our gallery sketchbooks. Here are a few...





Monday, February 22, 2010

WINE EXPLORATION SERIES: Vol. 2


This weekend, we hope you join us for the next installment in our 2010 Wine Exploration Series at Fleming's Prime Steakhouse & Wine Bar. Details below...

Saturday, February 27

“Wine, Artisan Cheese, & Food Pairing”

Fleming’s Prime Steakhouse & Wine Bar
4:00-6:00 p.m.
$75 Philbrook member
$85 not-yet member
Sponsored by Fleming’s Prime Steakhouse & Wine Bar
Marian op de Haar, National Wine Director for
Fleming’s will present a seminar on “Wine, Artisan
Cheese & Food Pairing.” Fleming’s will provide food
during the seminar.
A discount coupon will be available for dinner at
Fleming’s following the seminar. Reservations are
suggested.

For questions please contact Jennifer McCall at 918.748.5361
or email jmccall@philbrook.org

Thursday, February 18, 2010

HELEN AND HANS


On Sunday we will open our new exhibition, Hans Hofmann: Circa 1950. We recently spoke with Wolf Kahn about his experiences with Hofmann as a student and studio assistant. Another one of Hofmann's students that would go on to have a huge presence in the art world is Helen Frankenthaler (1928-). Frankenthaler acknowledges the value of her teachers and the element of luck in an artist's career. Frankenthaler's Cubist training was cemented by Hofmann when she studied with him for three weeks in Provincetown, Mass. The year was 1950. While Hofmann was teaching Frankenthaler and showing her the tools she would need to become a substantial artist, he was creating the pieces seen in our new show. Even today, in her early eighties, Hofmann's influence can still be seen in Frankenthaler's work.

Wednesday, February 17, 2010

MEET THE PRINCESS OF POP-UPS



On Saturday, Feb. 27th at 1pm, we will be hosting a great family event with illustrator, toy designer and paper engineer, Mary Beth Cryan. You can find pieces designed by Mary Beth at places like Target, Barnes & Noble and MoMA. The event will consist of a presentation followed by an activity in which you can design your very own pop-up card to take home. This event is FREE with museum admission.
Here's a bit more about Mary Beth from her website...

"Hear ye, hear ye, I now pronounce Mary Beth Cryan the Princess of Pop-Ups."
Wow, I am very honored. I will take my new title very seriously. Although, I always take pop-ups seriously. I am a paper engineer and illustrator. I have designed pop-up cards, books, gift items, invitations, advertisements, etc. for many companies all over the United States. Pop-up cards and pop-up books are my favorite projects.

Tuesday, February 16, 2010

TWENTY, TWENTY, TWENTY-FOUR HOURS TO GO...



We are just days away from our monthly 3rd Thursday event featuring our annual 24-Hour Video Race screening in partnership with Living Arts of Tulsa. Join us for a night of eclectic variety that you won't soon forget.

For a sample of what to expect, take a look at this video recently uploaded to YouTube called "Moonshot". See you Thursday!

Friday, February 12, 2010

COMING SOON: HANS HOFMANN


Were are just over two weeks away from the opening of our great new exhibition,
Hans Hofmann: Circa 1950.

February 21 – May 9, 2010


Hans Hofmann created an extraordinary body of work for architect Josep Sert’s 1950 Peruvian city plan called the Chimbote Project. The nine painting studies Hofmann produced for a series of murals form a concise and inspired example of the depth of Hofmann’s strengths as an abstract painter and modernist visionary and form the core of this exhibition, along with other major works from this important year in Hofmann’s career.


We hope you can join us.


Thursday, February 11, 2010

GET ENGAGED AT PHILBROOK

Valentine's Day and the week leading up to it have more wedding engagements than any other time of year. But that's not really the kind of engagement we're talking about.

Yesterday our very own Susan Green hosted a fantastic Valentine's Day-themed gallery talk called,
Images from a Mythological Soap Opera. The talk was focused on two tapestries. Now this may not sound like the most enthralling topic in the world, but the topic has little to do with the end result. It is the delivery that engages. And as you can see here, this crowd couldn't get enough as they sat on the floor like children learning something amazing for the very first time.

So while the vast majority of wedding engagements happen around this time of year, this kind of engagement is offered on a daily basis.

Wednesday, February 10, 2010

The Philbrook Interview: Wolf Kahn

On Sunday, February 21st we will open our new exhibition, Hans Hofmann: Circa 1950. Aside from being an amazing and influential artist in his own right, Hofmann was also one of the most important teachers of the 20th century. His students included Ray Eames, Larry Rivers, Lee Krasner and Wolf Kahn.


We recently spoke with Mr. Kahn, 82, from his studio in New York City.

In 1947, Kahn was studying at the New School with another art world giant, Stuart Davis. Not enjoying his time with this “terrible teacher”, Kahn was persuaded by his older brother, the landscape artist Peter Kahn, to join him at the Hans Hofmann School of Fine Arts. After studying with Hofmann in Provincetown for the summer, Kahn opened his first exhibition, at the Seligmann Gallery, entitled “New Provincetown”.
During the years 1948 and 1949, Kahn served as studio assistant to Mr. Hofmann, stretching canvases, building frames and doing general assistant duties. Fairly inexperienced and quite young at the time, Kahn admitted that most of his knowledge came from “on the job training”.



Mr. Kahn, whose memory appears to be that of a man half his age, shared a story about Hofmann from his studio assistant days. According to Kahn, Hofmann used “a lot of cheap paint”. He would take a large tube of paint, cut off the larger end and squeeze it all out onto the canvas. At the end of the day, if he wasn’t happy with the results, he would direct Kahn to scrape the paint from the canvas onto wax paper. After scraping the multiple colors all together, the jumbled glob would end up resembling a color Kahn describes as “calf-shit brown”. Not knowing what to do with this paint, he approached Hofmann and asked if he should discard it. Hofmann, in his thick German accent replied, “Tomorrow I will use the brown as contrast. It will be my scheisse.”
When asked about his opinion of Hofmann’s work and influence all these years later, Kahn stated that while one might not look at his work and see a direct connection to Hofmann, his “sense of color” certainly has something to do with their time together. “His work was harsh and severe and lacked a sensuousness that I have tried to put into my work”, said Kahn. But this was not a criticism of Hofmann. When asked if he could remember anything that Hofmann would often say, Kahn responded instantly. “He would always say that he was ‘trying to expand his mode of expression’”.
In 1949, after suffering “a crisis about being an artist”, Kahn left and enrolled at the University of Chicago. One year later, Hofmann would create the works featured in this exhibition. Kahn and Hofmann stayed in touch, often meeting in Washington Square Park near Hofmann’s home for lengthy discussions about art and life. Though by the time of Hofmann’s death in 1966, the two had lost touch. Throughout our discussion, Kahn often referred to Hofmann as a “great man”, stating that he was “born knowing more than I could ever learn.” If that was in fact the case, it’s no surprise that Hofmann became such a renowned teacher.

For more on our upcoming exhibition,
Hans Hofmann: Circa 1950, click HERE.

Tuesday, February 9, 2010

WHY I LOVE PHILBROOK: PART 4

"My family moved to Tulsa when I was twelve.
My mother knew that I wanted to be an artist and the first thing she did was join Philbrook so I could attend art classes. I loved that we could sit in places in the gardens that were off limits for other guests and sketch. I loved everything about Philbrook. When I was in college, I was an assistant teacher there, and I've sent my son to classes there.

I remember when the forever mirrors were in the room with the lighted floor. I remember when the fountains were kept going. I remember when the Christmas trees were displayed throughout the museum at the Festival of Trees.

We moved to the country, and I've lived in other places and in other parts of Tulsa, but I've always loved the Philbrook neighborhood. And now I am lucky enough to live and raise my son nearby. Philbrook as always been part of my dream. It's always been the heart of Tulsa for me."


-Susan Vineyard

Monday, February 8, 2010

WINE EXLPORATION SERIES: PART ONE

On Friday, Feb. 5th, we were happy to host "Tasting Wine the Masters Way" as part of our Wine Exploration Series. With a wonderful presentation by Master Sommelier, Randa Warren, this event was one to remember. Our next event in the Wine Exploration series will be at Fleming's. Space is limited.

Saturday, February 27

“Wine, Artisan Cheese, & Food Pairing”

Fleming’s Prime Steakhouse & Wine Bar
4:00-6:00 p.m.
$75 Philbrook member
$85 not-yet member

Sponsored by Fleming’s Prime Steakhouse & Wine Bar

Marian op de Haar, National Wine Director for
Fleming’s will present a seminar on “Wine, Artisan
Cheese & Food Pairing.” Fleming’s will provide food
during the seminar.
A discount coupon will be available for dinner at
Fleming’s following the seminar. Reservations are
suggested.

Friday, February 5, 2010

CAN YOU MAKE A MOVIE IN 24 HOURS?

If you are considering taking part in this year's 24-Hour Video Race, tonight is the night.
You will need to show up the the Living Arts Tulsa building at 307 S. Brady at 11:00pm.

You will be given the details and the things that must be included in your film.

Take a look at the first winner of the 24-Hour Video Race.

MissCommunication from Invisible Arts on Vimeo.


Here is some info about this video from its creators and what it led to.
This could be YOU!

"MissCommunication", the birth of Team Awesome. This was the first collaboration of Beau Leland, Kevin Ely and Matthew Alvin Brown.

Created for Living Arts' first annual 24 Hour Video Race, this film had to incorporate three elements: A prop phone, a theme of miscommunication, and feature "found footage." We took home two awards. Best in our category, and best overall.

This film was the jump start to an aggressive creative path for us, and ultimately led to our first feature film together, with superstar producer Kim Haywood.

Thursday, February 4, 2010

WHY I LOVE PHILBROOK: PART 3

"As a student, my favorite class was a puppetry class I took there (circa early 1980's). I remember I made a clown puppet. My mother still has my Egyptian-style jewelry that I made in Jerri's class. I think that was the teacher's name...later, when I was in college, I was an assistant and a student in her classes.

As a TU Art student & post-college I worked at Philbrook as a teacher. I primarily taught pre-school classes. One of my best memories was lining the kids up single file. Then, starting at the house, they walked in a single file line with big spaces in-between each child. They would walk across the meadow towards, what I think was, the summer house. I told them ahead of time what would happen so they wouldn't be scared. I told them to keep their arms crossed or hands in their pockets and walk very slow, shuffling their feet as they went. And every time it would happen: the barn swallows would dive and swirl around the kids like agile fighter pilots and hunt the bugs that were being stirred up into the air as the kids walked.

It was such a beautiful sight! The electric blue backs and the orange belly's of the barn swallow flickering as they flew past the kids. The birds would weave in and out between the children and the children would giggle with delight. I discovered this by accident once when we were out playing a game of "red rover". We did this with every class from there on out.

The gardens were truly a magical place for me and my class. We pretended the gazebo was a rocket ship and I would do the countdown for blast off. We would land on the moon and when we left the rocket ship we would walk on the moon’s zero gravity surfaces. "Bouncing" in slow motion on the surface, we explored this new planet. There use to be a cluster of bushes near by the gazebo that the kids used as a hide out. From the outside you couldn't see anyone in them...but inside the bushes were like umbrellas. The perfect club house!

We played a game called “Statue”. Along the walls in the garden area there were empty nooks for vases or statues. I would call out an animal or character and they would “freeze” into that statue inside the nook.

We gathered materials for our art projects in the gardens; leaves, sticks, mossy cups, butterfly wings, feathers, magnolia seeds, etc. We had a blast learning about texture, using crayons rubs outside. One year the theme was archaeology. We had one class make the artifacts out of clay and bury them on the grounds. Another class got to dig them up! Very cool, I even learned a lot from this class!

I don't live in Tulsa anymore but if I did, I know that my family would be there many, many, many times! It is definitely a stop on our visits which are far too sparse. Sigh, all this is making me miss my Philbrook!"

-Michelle Petty (Michelle Youngblood when she was at Philbrook)

Wednesday, February 3, 2010

READY, SET, FILM!


It's that time of year again. We are getting ready for our annual partnership with Living Arts of Tulsa for the 24-Hour Video Race.

If you're planning on taking part (and we hope you do), this Friday at 11:00pm you need to go to the new Living Arts building at 307 E. Brady to learn what the themes, props and line of dialogue will be.

You will then have twenty-four hours to plan, shoot and edit your work. Entries will be judged according to specific criteria during the screening here at Philbrook on Thursday, February 18, 6:00pm. A festive after-party will take place at Living Arts where the winners will be announced.

For more details and registration info, click HERE.

Take a look at this video which won the Viewers' Choice at last year's event.
It's titled "The Mis-Adventures of Mirror Boy and was put together by Kings and Pawns.

Tuesday, February 2, 2010

WHY I LOVE PHILBROOK: PART 2















"My 2 yr old son and I have always loved exploring the beautiful grounds of Philbrook. I have great memories as a child taking art lessons at Philbrook in the gardens so it is neat for me to get to share that special place with my kids. The pictures below are of my son in '08 and '09 in the Philbrook gardens."
- Laura Smolen, Tulsa




Monday, February 1, 2010

WHY I LOVE PHILBROOK: PART 1


As part of our annual membership month and in celebration of Valentine's Day, we will spend some time over the next couple of weeks listening to your thoughts and memories about why you love Philbrook.

Here are the first two...

"My husband and I both took classes there when we were kids - I absolutely loved your enameling classes - probably the best way to spend a Saturday in Tulsa in the 80's. When my husband and I were dating in high school you brought an exhibit of the great masterpieces, Picasso, Van Gogh, etc and I remember our coming to the museum together on a Saturday afternoon to see the art together - one of the best dates I probably ever had - the works of art were hung in the far end of the museum in the room with the changing floor tiles and the pictures were just exquisite. Best exhibit ever."

- Lauren Zeligson

"I remember taking a mini-mester class at Philbrook through Cascia Hall in 1986. I chose photography and spent the month of January wandering the museum grounds learning to snap photos on my Pentax K-1000, then learning to develop those rolls of film. There were students there to learn the fine arts like drawing, sculpting and girl chasing. The staff seemed to enjoy having a mall-like atmosphere for that snowy month. And they were more than willing to pose for a portrait as I fumbled to make sure the lens cap was off and the light was just right… I don’t remember how to develop my own film, but I do remember how important it was to get lost in the Philbrook beauty."

- John Fancher

Note: John Fancher is now a professional photographer.